(*Fresh Sound 2CD set - Joe Harriott - Southern Horizons + Free Form + Abstract) (#SWP Records CD - The Late, Great Phil Seamen) (*Redial CD - Joe Harriott Quintet - Abstract) Joe Harriott (as), Shake Keane (tp), Pat Smythe (p), Coleridge Goode (b), Phil Seamen (d), Frank Holder (cga,bgo). Joe Harriott Quintet - November 22nd, 1961 (Columbia 33SX1477) How Say You/Morning Blue/Fidei/In My Condition. Shake Keane (flhrn), Joe Harriott (as), Pat Smythe (p), Coleridge Goode (b), Tommy Jones (d). Shake Keane Quintet - August 31st, 1961 (Columbia SEG8140) S'Wonderful/Revival/Just A Little While To Stay Here. Pat Halcox (tp), Chris Barber (tb), Ian Wheeler (cl), Joe Harriott (as), Eddie Smith (bjo), Dick Smith (b), Graham Burbage (d). Moanin'*/Round About Midnight*/Coda*/Tempo*.Ĭhris Barber Jazz Band - March 31st, 1961 (Chris Barber at The London Palladium - Columbia 33SX 1346) Joe Harriott (as), Les Condon (tp), Pat Smythe (p), Coleridge Goode (b), Phil Seamen (d). Joe Harriott Quintet - January 27th, 1961 Thanks are due to Graham Wood for his detailed help in preparing these two Joe Harriott discographical pages. He had very positive ideas.He knew exactly what he wanted - always!. If you wanted to befriend him, rang him up, he was never there, either at the pub getting drunk or in the betting shop - he was an intense gambler too. Playing, having a woman, having a drink - if that's having the main things in life, he'd got them. No one stayed for long, but there was no shortage of replacements. Perhaps that was why he was so attractive to women. In his playing he really got through to people - there was such a cry for love in his sound. Once he'd got an idea it was like tunnel vision, reason meant nothing to him.
You could just not argue with him, hardly hold a rational conversation with him. Joe did everything with fantastic intensity, didn't do anything in moderation. Phil Seamen was a problem, sometimes you couldn't imagine he'd last another day. When Pat Smythe wanted to leave we told him it was his duty to keep going. He seemed not to know who his friend were. He was an orphan and he had almost no schooling, and it left him bitter.
Probably went right back to his beginnings. everything he did was self destructive - everything. I always felt Joe had a sort of death-wish, in a way. In an interview for Kitty Grime's book Jazz at Ronnie Scott's he gave a very good analysis of Joe's music and an interesting look at what made Joe tick. A brief biography and a discography from 1954 to 1960 are available on another page.ĭouble bass player Coleridge Goode knew Joe better than most, playing in Harriott's quintet from start to finish and in other groups with him throughout the 1960s. If you have other media you would like to share, we encourage you to visit /tour to upload photos, video, and comments for any show in the Tour Archive.This is the second page of the Joe Harriott discography covering his recordings from 1961 to 1970. If you have such a recording that you would like to have listed on, send a message to Include your name, the concert date, venue/city, and an email or url that can be accessed in order to obtain a copy of the recording. JM supports the free and non-commercial distribution of live audience recordings.
#John mayer discography rar professional
Photography is allowed, but no professional still cameras or video cameras are permitted without appropriate media credentials. Limited space may be available at front-of-house near the soundboard at some shows - please heed any and all requests by the crew and venue staff if attempting to set up equipment in that area. We ask that all tapers respect venue policies as well as fellow concert-goers' personal space and view of the show. John Mayer allows audio recording at most concerts. Live audience recordings of the "John Mayer Trio" are to be uploaded to his other section here: This section is for John Mayer (solo) or John Mayer (band) shows ONLY. NO John Mayer SOUNDBOARD RECORDINGS ALLOWED ON ARCHIVE.ORGĪlso, any live audience recordings from any date are allowed on, not just Summer 2008 shows. On Jpermission was granted by Scotty Crowe for John Mayer's inclusion in the LMA.
0 kommentar(er)
